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Fans criticize Beyoncé for shirt calling Native Americans 'the enemies of peace'

The T-shirt worn during a concert in Paris featured images of the Buffalo Soldiers, who belonged to Black US Army units active during the late 1800s and early 1900s

Fans criticize Beyoncé for shirt calling Native Americans 'the enemies of peace'

The T-shirt worn during a concert in Paris featured images of the Buffalo Soldiers, who belonged to Black US Army units active during the late 1800s and early 1900s

1800S, THERE WERE ABOUT 35,000 COWBOYS IN THE U.S. BUT WHAT CLASSIC WESTERN MOVIES DON’T CAPTURE IS THE DIVERSITY. ABOUT A QUARTER OF THOSE COWBOYS WERE BELIEVED TO BE BLACK. BILL PICKETT, BORN AROUND 1870, WAS ONE OF THE MOST FAMOUS BLACK COWBOYS. HE INVENTED A TECHNIQUE FOR BRINGING A YOUNG STEER TO THE GROUND CALLED BULLDOGGING. WELL, NOW MORE THAN A CENTURY LATER, HIS NAME LIVES ON THROUGH THE BILL PICKETT INVITATIONAL RODEO. OUR PRODUCER, TARA CLEARY, TAKES US THERE. IT’S AN ADRENALINE RUSH. IS SOMETHING THAT JUST IS IN ME NOW AND I CAN’T GET IT OUT. SO I CRAVE IT EVERY DAY, EVERY CHANCE I GET. MY NAME IS DARRELL ELLIOTT. I’M A STEER WRESTLER FROM BEAUMONT, TEXAS. I WORK FOR THE RAILROAD, SO THAT’S MY FULL TIME JOB. BUT RODEO IS MY FULL TIME LIFE. IN THIS RODEO LIFE THAT WE DO, EVERYBODY’S FAMILY, SO IT’S NOT A COMPETITION WHERE I’M COMPETING AGAINST THE NEXT GUY NEXT TO ME. WE ONLY COMPETE AGAINST THE CLOCK. RIGHT BEFORE I COMPETE, A CALM GOES ALL OVER YOU. WE’RE DEALING WITH SECONDS AND TENTHS OF A SECOND, HUNDREDTHS OF A SECOND. IT COMES DOWN TO MILLISECONDS SOMETIMES. SO MUSCLE MEMORY KICKS IN. YOU CAN’T THINK FAST ENOUGH TO REACT WITH BILL PICKETT. THE BIG INFLUENCE FOR ME WAS THEM OPENING UP DOORS FOR A LOT OF AFRICAN-AMERICAN COWBOYS TO BE ABLE TO DO THIS. MY DECEASED HUSBAND WENT TO A RODEO BACK IN 1977, AND ONE OF THE THINGS HE NOTICED IS THAT HE DIDN’T SEE ANYONE THAT LOOKED LIKE HIM. SO HE CAME BACK AND DID A LOT OF RESEARCH. AND WHAT HE FOUND IS THAT THERE WERE THOUSANDS OF BLACK COWBOYS AND COWGIRLS ALL ACROSS THE UNITED STATES, BUT THEY WERE NOT GIVEN THE OPPORTUNITY TO PERFORM OR COMPETE. SO HE SAID, I’M GOING TO CREATE AN AFRICAN-AMERICAN RODEO ASSOCIATION. AND SO HERE WE ARE, 40 YEARS LATER, STILL GOING VERY STRONG. THE DEMOGRAPHICS OF THE RODEO, THE COMPETITION HAS CHANGED OVER THE YEARS. WE HAVE CREATED MORE RODEO EVENTS FOR WOMEN. ALL RIGHT, COME ON, GIRL, POWER IS DEFINITELY A THING FOR SURE. THE LESSONS THAT IT TEACHES, STRENGTH. WOMEN CAN STILL BE FEMININE AND STILL BE ABLE TO DO THIS. MY NAME IS DENISHA HENDERSON AND I COMPETE IN THE LADIES BARREL RACING. THE LADIES STEER UNDECORATING AND THE LADIES BREAKAWAY. MY NAME IS DENISE TYAS. I COMPETE IN THE LADIES BARREL RACING AND THE LADIES STEER UNDECORATING YOUTUBE. THE MAIN PRIZE FOR THE AFRICAN AMERICAN RODEO. IT’S THAT CULTURE. IT BRINGS A DIFFERENT LITTLE SWAG TO IT BECAUSE WE ARE AFRICAN AMERICAN RODEO CIRCUIT. WE COULD NOT GET AMERICA TO SPONSOR US. AND WHEN I SAY AMERICA, I’M TALKING ABOUT CORPORATE AMERICA. AS WE GREW, OUR AUDIENCES, THEN CORPORATE AMERICA SAY, WELL, WAIT A MINUTE, LOOK AT THIS. THERE ARE TONS OF PEOPLE GOING TO THIS RODEO. WE MIGHT NEED TO LOOK AT IT. DO WE HAVE THE LEVEL OF SPONSORSHIP THAT THE OTHER ASSOCIATIONS HAVE? NO. GETTING SPONSORSHIP IS A PROBLEM FOR THE BLACK COMMUNITY BECAUSE THE STEREOTYPE THAT GOES BEHIND IT, LIKE, ARE THEY GOING TO DO THE RIGHT THINGS WITH THE MONEY THAT WE GIVE ALL OF THOSE GUYS THAT GOT SPONSORSHIP, MOST OF THEM ARE IN THE TOP BECAUSE THEY MAKE COMPETITION A LITTLE BIT MORE EASY. THEY TOOK A LITTLE BIT OF PRESSURE OFF OF THEM. THANK YOU CHRIS. THIS IS SO MUCH GOING ON IN THIS WORLD TODAY. SO MANY NEGATIVE THINGS. RODEO IS TRULY A POSITIVE THING. I ALWAYS SAY IT’S GOOD, CLEAN FUN. YEAH, YOU MAY BE PLAYING IN THE DIRT, BUT IT�
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Updated: 4:38 PM CDT Jun 28, 2025
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Fans criticize Beyoncé for shirt calling Native Americans 'the enemies of peace'

The T-shirt worn during a concert in Paris featured images of the Buffalo Soldiers, who belonged to Black US Army units active during the late 1800s and early 1900s

AP logo
Updated: 4:38 PM CDT Jun 28, 2025
Editorial Standards
A T-shirt worn by Beyoncé during a Juneteenth performance on her "Cowboy Carter" tour has sparked a discussion over how Americans frame their history and caused a wave of criticism for the Houston-born superstar.Related video above � Saddle Up: Black Cowboy Culture Celebrated at the RodeoThe T-shirt worn during a concert in Paris featured images of the Buffalo Soldiers, who belonged to Black U.S. Army units active during the late 1800s and early 1900s. On the back was a lengthy description of the soldiers that included "their antagonists were the enemies of peace, order and settlement: warring Indians, bandits, cattle thieves, murderous gunmen, bootleggers, trespassers, and Mexican revolutionaries."Images of the shirt and videos of the performance are also featured on Beyoncé's website.As she prepares to return to the U.S. for performances in her hometown this weekend, fans and Indigenous influencers took to social media to criticize Beyoncé for wearing a shirt that frames Native Americans and Mexican revolutionaries as anything but the victims of American imperialism and for promoting anti-Indigenous language.A spokesperson for Beyoncé did not respond to a request for comment.Who were the Buffalo Soldiers?The Buffalo Soldiers served in six military units created after the Civil War in 1866. They were comprised of formerly enslaved men, freemen, and Black Civil War soldiers and fought in hundreds of conflicts � including in the Spanish-American War, World War I, and World War II � until they were disbanded in 1951.As the quote on Beyoncé's shirt notes, they also fought numerous battles against Indigenous peoples as part of the U.S. Army's campaign of violence and land theft during the country's westward expansion.Some historians say the moniker "Buffalo Soldiers" was bestowed by the tribes who admired the bravery and tenacity of the fighters, but that might be more legend than fact."At the end of the day, we really don't have that kind of information," said Cale Carter, director of exhibitions at the Buffalo Soldiers National Museum in Houston.Carter and other museum staff said that, only in the past few years, the museum made broader efforts to include more of the complexities of the battles the Buffalo Soldiers fought against Native Americans and Mexican revolutionaries and the role they played in the subjugation of Indigenous peoples. They, much like many other museums across the country, are hoping to add more nuance to the framing of American history and be more respectful of the ways they have caused harm to Indigenous communities."We romanticize the Western frontier," he said. "The early stories that talked about the Buffalo Soldiers were impacted by a lot of those factors. So, you really didn't see a changing in that narrative until recently."There has often been a lack of diverse voices discussing how the history of the Buffalo Soldiers is framed, said Michelle Tovar, the museum's director of education. The current political climate has put enormous pressure on schools, including those in Texas, to avoid honest discussions about American history, she said."Right now, in this area, we are getting pushback from a lot of school districts in which we can't go and teach this history," Tovar said. "We are a museum where we can at least be a hub, where we can invite the community regardless of what districts say, invite them to learn it and do what we can do the outreach to continue to teach honest history."Historians scrutinize reclamation motiveBeyoncé's recent album "Act II: Cowboy Carter" has played on a kind of American iconography, which many see as her way of subverting the country music genre's adjacency to whiteness and reclaiming the cowboy aesthetic for Black Americans. Last year, she became the first Black woman ever to top Billboard's country music chart, and "Cowboy Carter" won her the top prize at the 2025 Grammy Awards, album of the year."The Buffalo Soldiers play this major role in the Black ownership of the American West," said Tad Stoermer, a historian and professor at Johns Hopkins University. "In my view, (Beyoncé is) well aware of the role that these images play. This is the 'Cowboy Carter' tour for crying out loud. The entire tour, the entire album, the entire piece is situated in this layered narrative."But Stoermer also points out that the Buffalo Soldiers have been framed in the American story in a way that also plays into the myths of American nationalism.As Beyoncé's use of Buffalo Soldiers imagery implies, Black Americans also use their story to claim agency over their role in the creation of the country, said Alaina E. Roberts, a historian, author and professor at the University of Pittsburgh who studies the intersection of Black and Native American life from the Civil War to present day."That's the category in which she thought maybe she was coming into this conversation, but the Buffalo Soldiers are even a step above that because they were literally involved in not just the settlement of the West but of genocide in a sense," she said.Online backlash builds ahead of Houston showsSeveral Native influencers, performers, and academics took to social media this week to criticize Beyoncé or decry the shirt's language as anti-Indigenous. "Do you think Beyoncé will apologize (or acknowledge) the shirt?" indigenous.tv, an Indigenous news and culture Instagram account with more than 130,000 followers, asked in a post Thursday.Many of her critics, as well as fans, agree. A flood of social media posts called out the pop star for the historic framing on the shirt."The Buffalo Soldiers are an interesting historical moment to look at. But we have to be honest about what they did, especially in their operations against Indigenous Americans and Mexicans," said Chisom Okorafor, who posts on TikTok under the handle @confirmedsomaya.Okorafor said there is no "progressive" way to reclaim America's history of empire building in the West, and that Beyoncé's use of Western symbolism sends a problematic message: "That Black people, too, can engage in American nationalism.""Black people, too, can profit from the atrocities of (the) American empire," she said. "It is a message that tells you to abandon immigrants, Indigenous people, and people who live outside of the United States. It is a message that tells you not only is it a virtue to have been born in this country, but the longer your line extends in this country, the more virtuous you are."

A T-shirt worn by Beyoncé during a Juneteenth performance on her "Cowboy Carter" tour has sparked a discussion over how Americans frame their history and caused a wave of criticism for the Houston-born superstar.

Related video above � Saddle Up: Black Cowboy Culture Celebrated at the Rodeo

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The T-shirt worn during a concert in Paris featured images of the Buffalo Soldiers, who belonged to Black U.S. Army units active during the late 1800s and early 1900s. On the back was a lengthy description of the soldiers that included "their antagonists were the enemies of peace, order and settlement: warring Indians, bandits, cattle thieves, murderous gunmen, bootleggers, trespassers, and Mexican revolutionaries."

Images of the shirt and videos of the performance are also featured on Beyoncé's website.

As she prepares to return to the U.S. for performances in her hometown this weekend, fans and Indigenous influencers took to social media to criticize Beyoncé for wearing a shirt that frames Native Americans and Mexican revolutionaries as anything but the victims of American imperialism and for promoting anti-Indigenous language.

A spokesperson for Beyoncé did not respond to a request for comment.

Who were the Buffalo Soldiers?

The Buffalo Soldiers served in six military units created after the Civil War in 1866. They were comprised of formerly enslaved men, freemen, and Black Civil War soldiers and fought in hundreds of conflicts � including in the Spanish-American War, World War I, and World War II � until they were disbanded in 1951.

As the quote on Beyoncé's shirt notes, they also fought numerous battles against Indigenous peoples as part of the U.S. Army's campaign of violence and land theft during the country's westward expansion.

Some historians say the moniker "Buffalo Soldiers" was bestowed by the tribes who admired the bravery and tenacity of the fighters, but that might be more legend than fact.

"At the end of the day, we really don't have that kind of information," said Cale Carter, director of exhibitions at the Buffalo Soldiers National Museum in Houston.

Carter and other museum staff said that, only in the past few years, the museum made broader efforts to include more of the complexities of the battles the Buffalo Soldiers fought against Native Americans and Mexican revolutionaries and the role they played in the subjugation of Indigenous peoples. They, much like many other museums across the country, are hoping to add more nuance to the framing of American history and be more respectful of the ways they have caused harm to Indigenous communities.

"We romanticize the Western frontier," he said. "The early stories that talked about the Buffalo Soldiers were impacted by a lot of those factors. So, you really didn't see a changing in that narrative until recently."

There has often been a lack of diverse voices discussing how the history of the Buffalo Soldiers is framed, said Michelle Tovar, the museum's director of education. The current political climate has put enormous pressure on schools, including those in Texas, to avoid honest discussions about American history, she said.

"Right now, in this area, we are getting pushback from a lot of school districts in which we can't go and teach this history," Tovar said. "We are a museum where we can at least be a hub, where we can invite the community regardless of what districts say, invite them to learn it and do what we can do the outreach to continue to teach honest history."

Historians scrutinize reclamation motive

Beyoncé's recent album "Act II: Cowboy Carter" has played on a kind of American iconography, which many see as her way of subverting the country music genre's adjacency to whiteness and reclaiming the cowboy aesthetic for Black Americans. Last year, she became the first Black woman ever to top Billboard's country music chart, and "Cowboy Carter" won her the top prize at the 2025 Grammy Awards, album of the year.

"The Buffalo Soldiers play this major role in the Black ownership of the American West," said Tad Stoermer, a historian and professor at Johns Hopkins University. "In my view, (Beyoncé is) well aware of the role that these images play. This is the 'Cowboy Carter' tour for crying out loud. The entire tour, the entire album, the entire piece is situated in this layered narrative."

But Stoermer also points out that the Buffalo Soldiers have been framed in the American story in a way that also plays into the myths of American nationalism.

As Beyoncé's use of Buffalo Soldiers imagery implies, Black Americans also use their story to claim agency over their role in the creation of the country, said Alaina E. Roberts, a historian, author and professor at the University of Pittsburgh who studies the intersection of Black and Native American life from the Civil War to present day.

"That's the category in which she thought maybe she was coming into this conversation, but the Buffalo Soldiers are even a step above that because they were literally involved in not just the settlement of the West but of genocide in a sense," she said.

Online backlash builds ahead of Houston shows

Several Native influencers, performers, and academics took to social media this week to criticize Beyoncé or decry the shirt's language as anti-Indigenous. "Do you think Beyoncé will apologize (or acknowledge) the shirt?" indigenous.tv, an Indigenous news and culture Instagram account with more than 130,000 followers, asked in a post Thursday.

Many of her critics, as well as fans, agree. A flood of social media posts called out the pop star for the historic framing on the shirt.

"The Buffalo Soldiers are an interesting historical moment to look at. But we have to be honest about what they did, especially in their operations against Indigenous Americans and Mexicans," said Chisom Okorafor, who posts on TikTok under the handle @confirmedsomaya.

Okorafor said there is no "progressive" way to reclaim America's history of empire building in the West, and that Beyoncé's use of Western symbolism sends a problematic message: "That Black people, too, can engage in American nationalism."

"Black people, too, can profit from the atrocities of (the) American empire," she said. "It is a message that tells you to abandon immigrants, Indigenous people, and people who live outside of the United States. It is a message that tells you not only is it a virtue to have been born in this country, but the longer your line extends in this country, the more virtuous you are."